I’m not going to do a full production log on this one as there weren’t really any new tricks beyond what was written for No Mercy
Compositionally, I wanted to write a melody that was “mostly major” for the NAF. The main melody focuses on the second hole of a D4 flute, thus putting the song in the key of F major.
This was a perfect fit for Cocobolo Ukuleles Super Concert #1 recently restrung with Southcoast strings back to reentrant C tuning. It’s much happier there than it was in D tuning. Not quite as perfect for the Bb4 flute but I only needed a few high harmony notes, and I wanted to use both my flutes from Mark Bickett that I introduced here.